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Old Work

I’ve been inspired lately and decided to check out some of my old photos taken last June, 2006. I found this old photo of camels marching towards me and thought of how would it look like if I rework it using new techniques that I learned over the past two years. Luckily, I shot this in RAW and have the utmost flexibility when in comes to re-processing and re-working images.

I’ve been also asking myself lately, how would my old photos look like if I rework them again using my current knowledge and skills gained over the past few years? Would they look better or even worse? Can I consider it as current work or an old one just reworked? All of this questions lingers in my mind. Dazed and confused, what could be the answer?

Let me know what you think.


New Work

Let there be light!


1/250s, f/8, 85mm, ISO200

As I was browsing my old photos, I found this one and thought how would it look like if converted to monochrome. So I fired up Photoshop and used Nik Color Efex Pro 3.0 B/W Conversion filter effect. Played with the sliders until I get the effect I want and then resized and sharpened for web display.

Right Angle Finder

Have you ever taken a shot wherein you are forced to shoot in an awkward position? Sometimes you need to crouch, move on to a prone position, and sometimes worst of it all, you even need press your face towards the ground just to get that elusive but amazingly unique low angle perspective. This could be a real deal breaker especially for people having big bellies (like me =b), people having difficulty bending and stretching their body on awkward positions, or even for people who doesn’t want to get down and dirty to the ground. Hesitating and not taking the shot once the situation arises could be the main difference between a so-so photo and a splendidly amazing photo.

Above are some photos taken by a photographer friend (Cris Adona) while I am shooting at a very low angle perspective emulating a worm’s eye view. As you can see, I didn’t hesitate to drop down on a prone position just to get the shot that I want. In this scenario, it’s not a big problem since the terrain is hard and dry. But what about shooting during the rainy season with puddles everywhere, or shooting on a wet environment, or shooting on a crowded and public place? Would I still get down and dirty? Most of us will say no, heck, even I would say no. Now the real question is… How can we shoot on a low angle perspective, ease off the task of doing it and avoid missing those kinds of shots just because it isn’t practical to get down and dirty? Is there any solution? Very simple… the answer is up above my friend (title of the blog entry)!

Yes. The solution is by using a Right Angle Finder. What the heck is a Right Angle Finder and why do I need it?

A right angle finder, sometimes called as “angle finder” is an L-shaped attachment containing a mirror mounted at a 45° angle to both legs of the L. It is attached and fitted onto the eyepiece of an SLR and lets a photographer look into the viewfinder by peering downwards rather than peering into the back of the camera. Such angle finders are useful for macro photography, situations where the camera is positioned low to the ground in order to get a worm’s eye view perspective or any other awkward angles that could give the scene a fresh and new look.

You may ask me, why the heck would I need a Right Angle Finder when I can just buy a DSLR with live view and swivel LCD? As of now(2008), the only DSLR available on the market with that feature is the Olympus E-3. But, if you are already heavily invested on a particular camera system aside from Olympus, are you willing to shell out big bucks just for that nifty feature? I don’t think so. And that’s where the angle finder fits in.

The right angle finder may cost a little bit hefty for casual shooters ($150 for the Nikon DR-6), but I assure you, if you love shooting landscapes and macro or any shot that requires awkward shooting positions, it is a must have accessory. It can save you a lot of back pains and also avoid getting down and dirty just like what I always do.

Anyway, as a final remark, I’ll leave you with the photo taken from the scene illustrated above. Is it worth getting down and dirty? You be the judge.


Nikon D200, Nikkor 12-24mm with Singh-ray Gold N’ Blue Polarizer

Bath Time


1/30s, f/5.6, 46mm, ISO200, SB800 with Demb Flash Diffuser Pro

Played with an old photo of my son, Vincent Oliver, using what I’ve learned from Joey L’s post production technique.

RAW converted using ACR, played with the multiply blending mode by creating a duplicate layer of the background layer and done some intensive burning and dodging to recover lost details. I also desaturated the duplicate layer a bit to counteract the saturation effect of the multiply blending mode. Played also with the Selective Color tool of photoshop to achieve a good color toning. I then further enhanced the local contrast using high pass filter on a duplicate layer with soft light blending mode. Vignette was also added using the lens correction filter. Resized and then sharpened for web display.

Al Nakhl Wasteland


1s, f/11, 150mm, ISO200

Had a quick trip back to Al Nakhl Dam last weekend and took some snapshots of the place. Everytime I come back, I am always looking for new and fresh perspective of this place. The place looks desolate and abandoned, away from civilization. A place where you can relax and have a peaceful mind. I plan to come back again and explore this place further if time permits.

RAW converted using ACR,  converted to monochrome using Photoshop CS3’s Black and White image adjustment tool, levels adjusted, cropped and then resized for web display.

Al Nakhl Dam in Mono


1/20s, f/11, 14mm, ISO100, Singh-Ray LB Color Combo 

Photo was taken last January 03, 2008 during a scheduled visit of my photographer friend Cris Adona. We drove back to Al Nakhl Dam and hiked around to get some new and fresh perspective of this place.

Shot in RAW, converted using ACR, played with the B/W conversion using Nik Color Efex Pro 3.0, dodged and burned some parts of the photo to reveal some details lost during the B/W conversion process, resized and then sharpened for web display.

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